The 1960s cracked cinema wide open: New Wave movements across France, Japan and Italy rewrote the rules of storytelling, while Hollywood's old studio system quietly collapsed under the pressure. From Kurosawa's tightly wound moral dramas like High and Low to the sun-baked mythology of Once Upon a Time in the West, the decade produced films still studied as benchmarks. See what Macca made of them below.
Rating: 3.5★
The summer of 1967 was, by any reasonable measure, a peculiar and fascinating moment in American cultural life. The counterculture that had been quietly gathering momentum through coffeehouses and college campuses suddenly felt as though it had tipped into something bigger, louder, and altogether more colourful. The Monterey International Pop
Rating: 4.0★
By the mid-1960s, Formula One had grown from a specialist motorsport into a genuinely global spectacle, its calendar sweeping through Monaco, Spa, Monza, and beyond, drawing enormous crowds and an air of glamorous, sometimes fatal, theatre. The 1966 season in particular marked a major technical turning point for the
Rating: 3.5★
There are political thrillers, and then there are films that arrive so charged with real-world fury that the fiction barely disguises the rage beneath. Costa-Gavras's Z (1969) is very much the latter. Based on Vassilis Vassilikos's 1966 novel of the same name, the film
Rating: 2.5★
Ingmar Bergman made Winter Light in 1963 as the second film in what critics and scholars have come to call his "silence of God" trilogy, sandwiched between Through a Glass Darkly (1961) and The Silence (1963). The trilogy emerged from a period of intense personal and artistic reckoning
Rating: 3.5★
The figure of Yuki-onna, the snow woman of Japanese folklore, has haunted the country's storytelling tradition for centuries. She appears in woodblock prints, Noh theatre, and countless regional variants of the same essential myth: a female spirit of the winter mountains, beautiful, lethal, and possessed of a
1960s
Viy (1967) is a strange and almost solitary object in Soviet cinema: a horror film, an actual horror film with monsters and demons and supernatural set-pieces, in a national cinema that mostly didn’t make horror at all. Officially endorsed by Mosfilm and based on a Nikolai Gogol folktale,
Genre Drama
★★★ — Persona (1966)
Genre Horror
★★★½ — Carnival of Souls (1962)
Genre Comedy
★★½ — Daisies (1966)
Genre Documentary
★★½ — Symbiopsychotaxiplasm: Take One (1968)
Genre Comedy
★★½ — David Holzman's Diary (1967)
Genre Action
★★½ — Come Drink with Me (1966)
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