1950s
Don Siegel’s Invasion of the Body Snatchers (1956) arrived at a strange crossroads in American cinema: too modest to be a prestige picture, too unsettling to be a forgettable B-movie. Adapted from Jack Finney’s serialised novel The Body Snatchers and shot at Allied Artists on a budget barely
1950s
Disney’s Alice in Wonderland (1951) is the studio’s middle-period work par excellence: technically polished, commercially tested, narratively cautious, and just slightly off. Made between two of Disney’s commercial successes (Cinderella in 1950, which had rescued the studio from one of its periodic financial near-misses, and Peter Pan
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Letter from Siberia (1957)
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★★★ — The Curse of Frankenstein (1957)
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★★ — Invaders from Mars (1953)
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★★★ — Stolen Face (1952)
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★★½ — Cairo Station (1958)
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★★★ — The Ghost of Yotsuya (1959)
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★★½ — Rio Bravo (1959)
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★★★½ — The Incredible Shrinking Man (1957)
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★★ — Glen or Glenda (1953)
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★★★ — Tokyo Story (1953)