Article
There's a particular moment when you realise animation isn't just for Saturday mornings anymore. It might come while watching a hand-drawn forest come alive with a kind of terrifying beauty, or a bathhouse fill with spirits that feel genuinely unsettling. Japanese animators didn't
Rating: 3.5★
There is a version of the Mad Max franchise that exists almost entirely as mood and motion, a series defined less by plot than by the particular texture of post-apocalyptic Australia baking under a merciless sun. George Miller created that world back in 1979 with the original Mad Max,
Rating: 2.0★
There are certain films that arrive trailing so much critical consensus that questioning them feels almost impolite. Mad Max: Fury Road is one of those films. Released in May 2015 after a production history that became something of a legend in itself, George Miller's return to the post-
Rating: 3.5★
Luca Guadagnino's Call Me by Your Name arrived in 2017 as one of the most talked-about films of that awards season, and it has barely been out of the conversation since. Based on André Aciman's 2007 novel of the same name, the story is set
Rating: 1.0★
Cigarette (known in Tigrinya as Shigara) arrived in 2005 as a short-form family comedy produced across the United States and Eritrea, one of the few feature-adjacent works to emerge from a country whose domestic film industry has remained largely invisible to international audiences. Eritrea's cinema culture
Article
There's something satisfying about horror films that know exactly what they're doing. Not the ones that rely on jump scares and manufactured tension, but the ones that understand the genre's real power: the way fear can be a vehicle for saying something true about
Rating: 2.5★
When Gareth Evans and Iko Uwais unleashed The Raid on the world in 2011, the response was somewhere between astonishment and mild disbelief. A Welsh director working in Indonesia with a relatively modest budget had produced one of the most viscerally efficient action films in years, a single-location siege
Rating: 1.5★
The original Castle Freak (1995) holds a modest but affectionate place in the annals of low-budget American horror. Directed by Stuart Gordon, the man behind Re-Animator, and produced by the ever-reliable Charles Band at Full Moon Entertainment, it was a grimy, mean-spirited little picture loosely adapted
Rating: 3.0★
Chad is not a country you would typically associate with a thriving film industry, and that context matters when watching Lingui, the Sacred Bonds. The country gained independence from France in 1960, yet for decades its cultural output on screen remained negligible, constrained by poverty, political instability, and an almost
Rating: 3.0★
There is a particular kind of horror film that earns its chills not from monsters in the traditional sense but from the unsettling suggestion that the world contains systems of belief and power that Western rationalism simply cannot account for. The Serpent and the Rainbow, released in 1988 by Universal
Article
There's something peculiar about committing to watch one film from every country on Earth: you start thinking you're on some noble cultural mission, but mostly you end up discovering how little cinema actually exists in your mental map. You'll realise you've built
Rating: 4.0★
American Samoa is, by most conventional football metrics, about as far from the top of the world game as it is possible to get. A small archipelago in the South Pacific with a population of around 55,000, it fields a national side that, in the early 2000s, had become
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