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There is a genuinely intriguing moral knot at the centre of How to Hide It, the short film co-written and co-directed by Ramla Ali and Richard A. Moore, and for thirteen minutes it packs in a surprising amount of story. I caught it at the BFI London Film
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Every so often a short film comes along with a performance at its centre so good that it carries you past any reservations you might have, and Untitled Woman, Camille Summers-Valli's elegant short film, is very nearly that. I caught it at the BFI London Film Festival
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There is a very particular pleasure in a short film that knows exactly what it is and does it well, and A Twist of Hate, Madeleine Shenai's nine-minute short film, is a neat little example. I caught it at the BFI London Film Festival, and while it
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Nine minutes is barely any time at all to win someone over, yet Sweet Bitter Sweet, Nicolee Tsin's charming short film, manages it with room to spare. I caught it at the BFI London Film Festival and came out grinning, which is really the whole review in a
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There is a clever idea buried inside The Sorrows of Young Charlotte, Shir Ariya's dark comedy short film, which I caught in the BFI London Film Festival's Land of Hope and Gory strand. The title alone tells you the game, a gender-flipped riff on Goethe,
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