Rating: 4.0★
There is a particular kind of frustration that comes with watching a film get quietly buried at the box office, especially when that film carries the weight of one of the most beloved fictional worlds ever committed to paper. The Lord of the Rings: The War of the Rohirrim arrived
Rating: 3.0★
By the time 3 Idiots arrived in Indian cinemas in December 2009, Bollywood had been producing crowd-pleasing comedies with social conscience for decades, but rarely had the two ingredients come together quite so explosively at the box office. The film grossed well over three billion rupees on its original
Rating: 1.5★
Sri Lanka's film industry has spent much of the past decade quietly building a reputation for thoughtful, socially conscious drama, and Prasanna Vithanage has been one of its most persistent advocates. His earlier work, including With You, Without You (2012) and Oba Nathuwa Oba Ekka (2012), earned him
Rating: 4.0★
Coming-of-age stories are hardly in short supply at the cinema, but every so often one arrives that feels less like a genre exercise and more like a memory someone has chosen to share with you. Lady Bird, released in 2017, is one of those films. Set in Sacramento,
Rating: 3.0★
There is a particular kind of film that seems designed less to entertain than to make you shift uneasily in your seat, and Babygirl (2024) belongs firmly in that category. Written and directed by Halina Reijn, it is an erotic thriller centred on Romy, a high-powered tech CEO whose
Rating: 3.0★
And Then We Danced arrived in 2019 against a backdrop of real political tension. When the film screened at the Tbilisi Film Festival, far-right and nationalist groups organised protests outside cinemas, with some screenings requiring police protection. That reception said rather a lot about the territory the film was
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Macca's Must Watch
There is a particular kind of road trip film that uses the open road less as a backdrop and more as a pressure cooker, a confined, moving space where the real journey is entirely internal. Alfonso Cuarón's Y Tu Mamá También, released in Mexico in 2001, belongs firmly
Rating: 3.0★
There is a particular kind of British film that arrives quietly, gets called a modest crowd-pleaser, and then refuses to leave the cultural conversation. Bend It Like Beckham, released in 2002, is very much one of those. Gurinder Chadha's third feature (following the well-received Bhaji on
Rating: 2.0★
Mauritius is not a country you typically associate with feature animation. The island nation has built a modest but real screen presence over the years, with productions like Tany Mena offering a glimpse of local filmmaking ambition, yet a fully animated family film aimed squarely at the global streaming market
Rating: 0.5★
Saint Lucia is not a country whose name comes up often in conversations about world cinema. A small island nation of roughly 180,000 people, it has produced very little in the way of domestically made film work that travels beyond the Caribbean, let alone achieves any kind of international
Rating: 4.0★
Nineteen thirty-three. The Depression is biting hard across America, breadlines stretch around city blocks, and New Orleans simmers in that particular Southern heat that makes everything feel slightly desperate and slightly dangerous. It is, in other words, exactly the right setting for a film about men who settle their
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