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No country has given me more pure cinematic pleasure over the years than Japan. It is a national cinema vast enough to contain the greatest samurai epics ever made, the most beloved animated films on the planet, nightmarish horror, tender family drama and wild genre experiments, often all at once.
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If you ask me where the best cinema on Earth is being made, Iran is always somewhere near the top of my answer. For decades now, often working under censorship, travel bans and the constant threat of arrest, Iranian film-makers have produced some of the most humane, morally searching
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