Raindance Film Festival
There is a strain of Iranian cinema that loves to point the camera at itself, to sit an actor in a chair, ask them to perform, and watch the truth leak out around the edges of the fiction. Mehrnoush Alia's debut feature 1001 Frames belongs firmly to that
Raindance Film Festival
There is a particular kind of Iranian film that takes something tiny, a debt, a misunderstanding, a single object, and stacks an almost unbearable amount of pressure on top of it. My Daughter's Hair, the first feature from director Hesam Farahmand, belongs firmly to that tradition, and it
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